せいろのカビ
English cleaning guides treat mould on a bamboo steamer as something you scrub off. A Japanese seiro maker treats a blackened patch as a reason to stop using the basket. The two Japanese sources here do not agree with each other either, and where they differ this page gives both.
Kagoya, a Tokyo bamboo-goods shop that has sold seiro since the early 1970s, gives three steps in order: wash the mould off, pour boiling water over the steamer to disinfect it, and if it still will not come off, dry the steamer and take the mould off with sandpaper. If you are still uneasy about the spot afterwards, it says to put a plate or a sheet of cooking paper between the food and the bamboo. Takemi, a bamboo seiro maker in Saitama, gives no removal route at all: it says a blackened area may be mould and that in that case it recommends replacing the steamer, and it puts the working life of a bamboo seiro at roughly one to two years, treating it as a consumable. For prevention it suggests spraying the basket with disinfectant alcohol.
The routines part company at an ordinary step. The Fork Bite, an English guide to these steamers, starts a new one by washing it in hot soapy water and then immersing it in a bowl of hot water for about thirty minutes, and its mould section says the steamer will soon be as good as new. Takemi rules out both halves of that: it calls soaking strictly forbidden and names the damage as splitting and the inner frame coming loose, and it asks for water or lukewarm water rather than detergent, because the detergent soaks into the wood. This is not a divide between languages. A second English guide, Bamboo Wood, tells readers to avoid soaking and to avoid soap for the same reasons. What is missing from both English pages is the other answer — that the basket may be past saving. Neither raises it, and one says the opposite outright.
Takemi asks for one step before the first use, which it calls karamushi — steaming the basket empty. Wet the whole steamer and shake off the surplus; bring a pan to the boil and, once steam is rising, set the empty seiro on it and steam for about ten minutes over a medium flame; then rinse off what has been drawn out and dry it thoroughly. It gives the reason as durability: the basket is less likely to split or warp afterwards. Kagoya describes the same empty steaming for a different purpose — to drive out the smell of new wood, and the bamboo’s astringency, faster.
The two Japanese sources also disagree with each other, and this page gives both rather than the tidier one. On detergent: Takemi says to use water or lukewarm water and not detergent, because the components soak into the wood; Kagoya says that when the basket is greasy a neutral detergent is fine provided it is rinsed off thoroughly. On how long a seiro lasts: Takemi gives roughly one to two years and calls it a consumable; Kagoya says that at ordinary household use it should last a long time. It is worth noticing which way the commercial interest runs. The source that says replace it makes and sells seiro. The source that gives you a way to keep using the one you have sells them too.
Two things that look like trouble and are not. Kagoya says brown water in the pan under a new steamer is the bamboo’s own shibu — its astringency — leaching out, that a pale steamed bun can pick up a faint tint from the same thing, that it is harmless if eaten, and that both fade with use. It says the same of the smell of new wood, and that steaming the basket empty clears the smell and the shibu faster. On materials, Kagoya stocks bamboo, sugi cedar and hinoki cypress and says the method and the steaming times are the same for all three, so that choice is about appearance and scent rather than performance. Takemi’s care page is written for bamboo specifically.
There is no shop link on this page. One of the two Japanese sources answers a blackened basket with “replace it”, and a link to a new steamer under that sentence would make this page an advertisement for the more expensive of the two answers. If yours does turn out to be finished, the figure worth carrying into the next purchase is the maker’s own — one to two years of use for a bamboo seiro — weighed against the shop that says one lasts a long time. Both are linked below.
Sources The other guides鉄瓶と鉄急須
One boils water and gives you iron. Putting the other on heat cracks its lining for good.
金継ぎと食器
Not urushi against epoxy. Whether the material states food-contact compliance.
鉄瓶の錆
The spots appear in the first week. The makers’ association says do not take them off.
和紙の定義と繊維
JIS defines it — and the definition says most washi today is machine-made from chemical pulp.
漆と抗菌
A prefectural institute put eleven lacquer films through JIS Z 2801. Most came back undetectable.
土鍋の熱
It conducts heat badly. That is the product — and it is also why it cracks.
鉄瓶と鉄分
The form is settled by a 2003 paper. The amount is not settled by anything.
土鍋の目止め
Unglazed clay is porous until rice starch seals it — one simmer, once.
漆器の手入れ
Dishwasher, microwave, sunlight. All normal, all irreversible on urushi.
片刃と利き手
Ground on one side only. The wrong side does not cut badly — it does not work.
土鍋とIH
Induction heats metal, not clay. Most donabe never get warm — and cannot be converted.
熊野筆の毛
Not a quality ladder. Natural hair holds powder; synthetic is built for cream and liquid.
砥石の番手
There is no dominant standard behind the number. Two #1000 stones can cut differently.
茶筅の穂数
Carved from a single piece, so a snapped tine is not a repair. The tine count is a spec, not a score.
錆と経年変化
One protects the blade, the other eats it. Scrubbing the wrong one leaves the knife worse off.
三徳・牛刀・菜切
Two of these are the same knife. And a nakiri suits either hand; the usuba it resembles does not.
ダマスカスの意味
The original ceased production around 1900. Since 1973 the word has meant pattern welding — decoration.
白紙と青紙
Blue holds an edge longer and is harder to sharpen. Which is better depends on how often you sharpen.
抹茶の等級表示
ISO and Japanese labelling define how matcha is made. Neither defines a grade.
硬度と刃角
Western knives sit at 52–58 and 20–22°; harder steel is what permits 15–18°. Higher is a different bargain.
まな板と刃
Glass dents, rolls and chips edges rapidly. Wood is self-healing — but grain matters more than "hardwood".
刃物を贈るとき
A gifted knife is said to sever the relationship. The custom is that the recipient hands back a coin.
金継ぎのキット
Real urushi cures in a humid box over days to weeks. A kit that sets in an hour is something else.
沈香と伽羅
The scent exists because the tree was infected. Uninfected wood is pale and light — whatever was added.
箸の形と作法
Pointed where Chinese ones are blunt. And two ordinary gestures read as funeral rites.
墨と膠
Sumi is soot held by animal glue. India ink needs no binder and dries waterproof on its own.
柄の木と嵌合
Friction-fitted, not bonded — so it can be replaced. And a D-shaped handle is made for one hand.
釉の上か下か
The body is impermeable. It is the decoration that is exposed — and you can feel which kind it is.
硬化した漆
Uncured urushi gives most people a rash. Cured, reactions are possible but less common.
刃こぼれ
Repair is subtraction — grind past the chip on a coarse stone, then work back up the grits.